Carry Away the Summer

Here at Carry You Away, we like mixes. Now that I have a car with a CD player, I really like putting together a collection of songs to fit a particular driving style or mood that I find myself in, and go from there. Recently, I got to thinking about movie soundtracks and how a lot of the hipster, indie films often have this sort of attitude - a mix-tape is generally just as good when it comes to a film.

I guess that works, although I have to say that the only really good film soundtrack collection that I've come across recently seems to have been a model for a lot of the other films - Garden State. For me, Nick and Norah's Infinite Playlist and Juno (and an upcoming one called Adam) can't hold a candle to this album, which still holds up nicely for me. I'm not entirely sure why the other two have really not held up beyond a single listen for me - I think that the artists are too new, the collection is just too pretentious to really gain any sort of mainstream following that the GS soundtrack has. Garden State was a fun film, and I suspect that there will be those who will label it as a defining film of our generation, along with the sountrack.

With artists like Simon and Garfunkle to the Shins, I think what really made the soundtrack work well is its variety of songs that are on it. There are several genres represented, from indie to acoustic to oldie, with a couple of artists that were just well known enough to a couple that were just obscure enough, but with enough material out there (in most cases) to keep people interested. I'd argue that the movie was a big success for people like The Shins, Cary Brothers, Zero 7, Iron & Wine and helped to get Nick Drake back on the radar. The album doesn't come off as pretentious, but honest, and it worked extremely well with the movie. Not having seen Juno or Infinite Playlist, I'm not sure how well those tracks meshed with the film, but it's not something that I'm losing sleep over.

While thinking about this, I think I found the formula that really made Garden State shine, and to put it to the test, I've put together a summer-ish sort of mix based on the criteria:

European/UK Band, Alt-Rock, Male

Indie Band, fairly obscure, complex lyrics

Electronica, easy listening, female vocals

Indie Band, same as #2

Acoutic Folk, Male, Soft

Alt-Folk/Rock, Male

Alf-Folk/Rock, Male

Acoustic Folk

Indian Electronica, no vocals

Oldie, Folkish, Male, duet

Folk-Cover of Techno/Electronica song, Male

Electronica/Female Vocals, Soft

Female Acoustic, Folk/Rock

Bonus: Alt-Rock (Used for Commercial)

Let's compare this to Garden State's Soundtrack:

Don't Panic - Coldplay

Caring is Creepy - The Shins

In the Waiting Line - Zero 7

New Slang - The Shins

I Just Don't Think I'll Ever Get Over You - Colin Hay

Blue Eyes - Cary Brothers

Fair - Remy Zero

One Of These Things First - Nick Drake

Lebanese Blonde - Thievery Corporation

The Only Living Boy in New York - Simon & Garfunkel

Such Great Heights (The Postal Service) - Iron & Wine

Let Go - Frou Frou

Winding Road - Bonnie Sumerville

Writing to Reach You - Travis (Commercial/Trailer)

And now, applying the same sort of formula , and this is what I've come up with, Carry You Away's Summer mix. How does it line up?

Bad Skin Day - Bell X1

Interior Of A Dutch House - Beirut

Hayling - FC/Kahuna

Postcards From Italy - Beirut

Re: Stacks - Bon Iver

Her Morning Elegance - Oren Lavie

When The Pain Dies Down - Chris Stills

At Your Door - Alexi Murdoch

The Khaleegi Stomp - Transglobal Underground

A Summer Song - Chad & Jeremy

Heartbeats (The Knife) - José González

What's Wrong With Me (Nouvelle Vague Remix) - Skye

Dreaming - Sara Wheeler

5:19 - Matt Wertz

Full

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New Video: Her Morning Elegance

I first came across Oren Lavie's fantastic song, Her Morning Elegance via a car commercial, of all places. It was very well done, but this new music video of the song was just fantastic:

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Her Morning Elegance - Oren Lavie

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The Best Albums of the Year

This year has been an incredible one for music. I don’t know if it was the full year of blogging about it, but I have learned and heard so much during the past year, making it incredibly difficult at times to really narrow down what was the best of the good. Looking back over the year, there were some clear choices, some not so clear, and a couple that surprised me. Already, 2009 is shaping up to look like a good year already.


Runners up: Always the Bridesmaid: Decemberists, Human: Civil Twilight, A Hundred Million Suns: Snow Patrol, Let It Go: Jon Regen, View from the Root: Adam Ezra Group, A Good Day: Priscilla Ahn.

10 - The Fairline Parkway, Memory of Open Spaces / The Weepies, Hideaway

Memory of Open Spaces is a light affair, and carries a quiet grace from its opening song, Westward Bound, that is sustained throughout the album with a soft and balanced sound. I like it because it's soft, reflective and interesting throughout with a great sound and good lyrics.

Tied with this album is Hideaway by the Weepies. Like the Fairline Parkway, this album is soft, rythmic and interesting. The sound is evenly balanced between the two vocalists with a sweet and relaxing sound to it.

9 - Bombadil, A Buzz, A Buzz

From the first bars of Bombadil's debut album A Buzz A Buzz, you'll know that there's something very different about their sound. Trip Out West starts out soft but strong, before launching into a series of incredibly diverse, lyrically unique and tight songs. There's a wide range of sounds here, and seeing these guys life is an experience in and of itself, as they move around the stage, often switching instruments.

8 - Oren Lavie, The Opposite Side of the Sea

Oren Lavie's first CD Opposite Side of the Sea is a labor of love, and has been getting a wider audience from the use of several songs in a commercial. While overall, this album is on the softer side, there's a rich variety of themes throughout the album, helped along by his rich voice and lyrics.

7 - Tina Dico, Count To Ten / Sia, Some People Have Real Problems

Ironically, these two singers have a common link: the Electronic/Pop outfits Zero 7, whom both have collaborated with for several songs over their three albums.

Tina Dico's album Count To Ten is the good sort of pop music. She starts off with an incredible voice and beat and sustains it throughout the course of the album with a number of absolutely fantastic songs that continue to impress me numerous listens later.

Sia's latest album, Some People Have Real Problems is easily her finest album to date, with an electro-popish sound with an urgent, yet at the same time relaxed feel to it. The tracks slow down and speed up but each one is just fantastic.

6 - Death Cab for Cutie, Narrow Stairs

This album got lot of nay Sayers when released - a lot of this "The band has turned their backs on their fans/roots/style" crap. Bullshit. This album is easily their strongest, with the same strong lyrical style that we've come to expect from these guys, with a richer and far more refined sound throughout. This new album is emotional, intense and rich with sound.

5 - Goodtimes Goodtimes, Glue

Technically, this came out in 2008, but I really got their album in January, so this makes the list. Goodtimes Goodtimes blew me away when I first heard their first track, Kids, with it's bright and optimistic beat that still gets me moving fifty listens later. The rest of the album is just as good too. Each song here sounds fantastic, with some excellent guitar work and lyrics. Every time I pop this into my car's CD player, I sing along, and feel good afterwards.

4 - Coldplay, Viva La Vida/Prospekt's March

I'm counting both of these albums together, along with Lhuna, as one package. Coldplay, after the commercially friendly A Rush of Blood To the Head and disappointing X&Y, proved to be an extremely fresh breath from these guys, proving that they still have the talent to not only produce a good record, but to produce one that drastically refines, changes and exceeds expectations. Viva La Vida is a tight and cohesive affair, with some of their best works to date. Prospekt's March is likewise as good, with several tracks that didn't make it on the album, but carry much of the same feel or talent along with it. Already, there's talk of a follow-up - let's hope that it's a good one.

3 - Amos Lee, Last Days at the Lodge

Amos Lee has come a very, very long way since his first, self titled debut. His second album exceeded that one, and Last Days at the Lodge likewise exceeded that one. Where Supply and Demand really changed around his sound, Last Days brings Lee back to some of his root sounds, revisits some familiar ground and breaks anew, infusing a distinct blend of soul, R&B and folk-rock into the eleven fantastic tracks. The album is intimate and emotional at times, while blatant and fresh at others.

2 - Ray LaMontagne, Gossip in the Grain

Like Amos Lee, Ray LaMontagne has improved upon his sound over his past two albums, really redefining his sound each time. Gossip in the Grain has done much of the same, giving us a new look at this singer as he's refined and honed his skills. His voice isn't as raspy as it was in Trouble, and the backing band here absolutely blows each song away. This album is emotional, touching, personal, romantic and somber all at the same time. It is easily his strongest and best work to date.

1 - Bon Iver, For Emma, Forever Ago

Bon Iver's For Emma Forever Ago is my favorite album of the year, and I knew it from the moment I heard the first track, Flume. Recorded in a cabin in the woods during a troubling time for Justin Vernon, what we get is an album that is a mix of raw emotions that is honest, thrilling and simply beautiful to listen to. Each time that I listen to this album, I get chills throughout at the intensity and reflection presented here in the songwriting. Bon Iver has done with this album something that I thought was impossible - show me that there are still huge surprises waiting out there in the music world, and even after listening to it literally hundreds of times, it still shakes and invokes the same emotion and thrill that is present in the notes.

Best New Artists of 2008

Like last year, I came across a huge number of new songs and new artists. There were some that were very good, and some that were well worth forgetting. Here's my favorite new discoveries of 2008:

Bombadil
These guys out of North Carolina play a mean live act. There's energy, lots of hand-eye coordination and some very good songs. While not quite out there as an indie group such as the Decemberists, these guys have a quirky nature to their songwriting that really makes them stand out.




Bon Iver
Excuse my gushing about Bon Iver. He's easily one of the best new artists of this year, and has a fantastic indie-folk sound. More later.



Civil Twilight
I first came across Civil Twilight when their song Human was featured on House, MD. These guys have a good alt-indie-rock sound with plenty of energy and beat behind the lyrics.



The Fairline Parkway
These guys have a light touch when it comes to lyrics and sound. Their first album, A Memory of Open Spaces was catchy and didn't fall into most of the normal sounds that I tend to listen to. It's not quite folk, not quite rock, but something inbetween. Perfect for driving with the top down.



Findlay Napier and the Bar Room Mountaineers
Findlay Napier recently formed the Bar Room Mountaineers with a neo-scottish folk sound that explodes with subtle energy throughout their songs with a distinct modern flavor. I'd love to see them live sometime.

Goodtimes Goodtimes
Franc aka Goodtimes Goodtimes has a strong hand at the guitar. From the opening notes of his first album, Glue, there's a strong rhythm and a set of brilliant lyrics.



Helen Lawson
Helen Lawson's sound seems to be strongly rooted in her home country of England, with a rich history of folk, which she really draws upon here. Her debut EP, Crossing the Bridge is light, soft on the ears and lyrical.

Jon Regen
Regan has released latest album, Let It Go, which is strongly reminiscent of the sound of Marc Cohn. He wouldn't sound out of place in a jazz lounge, and according to the frequent updates I get from him, he's touring strongly.

Let It Go - Jon Regen

Joseph Arthur
Arthur isn't new to the music scene, but he is new to me. His recent album Could We Survive caught my ears, and he carries a strong alt-country/folk sound with him.



Kat Flint
Flint has a new album coming out, Dirty Birds, and she has been on my radar all year as a strong female vocalist. Her voice is solid, guitarwork firm and her lyrics gold.



Matthew Ryan
Ryan is another new artist to me, but he's been around for a little while now. He sings with a gravelly tone that really reminds me at times of Tom Waits (not quite as harsh). His new album Matthew Ryan Vs. the Silver State is a subdued, somber album that sounds fantastic.



Natalia Clavier
Natalia Clavier's album Nectar is a downtempo affair that has a fantastic, smooth sound to it out of South America. There's energy and emotion here, all wrapped up in a fantastic sound.



Oren Lavie
Lavie has released a wonderful album that he recorded himself. Hailing from Israel, his song Her Morning Elegance caught my ears off of a commercial, and the rest of the album has the same unique sound and lyrics that set that one apart.



Sarah Siskind
Sarah Siskind came to my ears via Bon Iver, when he covered one of her songs, and later sang with her. She's gotten another album on the way in 2009 that is something to keep an ear out for. She reminded me a lot of a favorite of mine, Sara Wheeler, but with more depth and drive to her songs.



Tina Dico
Tina Dico is another girl who's worked with Zero 7 before (Sia is also well know for her work here) Her latest album, Count to Ten is a fantastic listen in alt-pop music with some real talent with lyrics and melody here.

Happy

Heartbeats - José González
Comfort - Carbon Leaf
Hold You In My Arms - Ray LaMontagne
Her Morning Elegance - Oren Lavie
Re: Stacks - Bon Iver
Heart Made of Sound - Softlights
Orange Sky - Alexi Murdoch
Much Further To Go - Rosie Thomas

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New Artist: Oren Lavie

I've often found that the television is a good medium for coming across new songs and artists. The use of an artist's song in any number of TV shows, from House to Scrubs to Grey's Anatomy and more, have led to a number of artist's rise and/or popularity, from Alexi Murdoch, the Shins, Brandi Carlile, and Feist, to name just a couple. While watching TV last night, I came across a new song, which really grabbed me, and prompted me to look it up on the intraweb earlier today to come across a really fantastic new artist named Orin Lavie.

The commercial was for the Chevy Malibu, and it's actually a pretty clever one (watch it below.) But what really grabbed me was the song, Her Morning Elegance. It's soft, easy going and really really good.

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Oren, as I've listened to him this morning, has a sound somewhere along the lines of Sting, Rufus Wainwright, Chris Stills, but along with his own unique aspects. What's nice is that he's not a copy of any of these artists. With some that I've listened to, they have all the right aspects that I'm looking for, but sound too much like other people that I like. This is not the case here.

Lavie hails from Israel, although he's since moved around a bit, ending up in Berlin, where he started recording his first album, The Opposite Side In The Sea, which has been in the works for the past couple of years, being released in Europe in 2007, and in the US digitally in January of this year - apparently, we'll be getting a hard copy sometime this year here.

Her Morning Elegance - Oren Lavie

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