
October 31, 2007
C&O

New KT Tunstall Video - Saving My Face
It's a cool video - I like the freezes and fades with Tunstall, turning ghost-like. Very appropriate for today...
Boo!

So, to celebrate:
Devils
The Devil Never Sleeps - Iron & Wine
Sympathy for the Devil - Rolling Stones
Devil Went Down to Georgia - Charlie Daniels Band
Saint Augustine in Hell - Sting
Ghosts
The Ghost of You Lingers - Spoon
Ghost Story - Sting
Ghostbusters - Ray Parker Jr.
Is There A Ghost - Band of Horses
And the rest...
Skeleton Man Dance - Carbon Leaf
Highway to Hell - AC DC
Halloween - Dave Matthews Band
October 30, 2007
New Grace Potter

So, over the past couple of weeks, I've discovered that the American release of Grace Potter's latest, This is Somewhere isn't the only release - There's a couple of other ones, with a couple of new B-Sides that I'm desperately trying to get my hands on. One, the Barnes and Noble exclusive has 'Til the Morning Comes, which I got and is a fantastic listen. iTunes has another, If I Was From Paris. However, the Japanese version has two additional songs that I absolutely can't find anywhere, Belladonna and Over Again, at least the studio versions. I'm still trying to find them, and I can't find a place to download them at all.
However, I have come across some fantastic new songs from her:
Every Mile - Grace Potter & The Nocturnals
Delta - Grace Potter & The Nocturnals
Sinking Man - Grace Potter & The Nocturnals
Belladonna - Grace Potter & The Nocturnals
Margery - Grace Potter & The Nocturnals
iTunes Free Music of the Week

October 26, 2007
Acoustic & Original

So, to start off, here's two version's of the opening track for Grace Potter's fantastic album, This is Somewhere.
Ah Mary (Acoustic) - Grace Potter & The Nocturnals
Ah Mary - Grace Potter & The Nocturnals
Cover & Original - Wonderwall

October 25, 2007
One Hit Wonders
Existing Bands Dragging Their Heels
Ex-Girlfriends - Low Millions

Low Millions came out with a hit single in 2004, called Eleanor, closely followed by a couple of other singles, Statue and Low Millions. The band has a very cool and relaxed sound, and the theme of the album is pretty overt - breaking up and ex-girl friends. I've been listening to it a lot more than I usually do. There's nothing especially different about this band - they've got a fairly mainstream sound, but they maintain a solid beat and some pretty good vocal work here. I really liked this album, save for a couple of tracks, and I had hoped that they would get going on a followup sometime in the near future. I believe that the band is made up of a bunch of members from other bands, which might be part of the reason for no activity on their part. According to a myspace blog entry, they were starting on some new material in 2006. Hopefully, we'll see some more from them.
Mockingbird - Low Millions
Give Up - The Postal Service

This is one of the Indie super groups, made up of members of Death Cab for Cutie, Rilo Kiley and a couple of others, under the indie favorite Subpop records. They're the ones responsible for the fantastic song Such Great Heights, as well as We Will Be Sillouettes and a couple of others. Give Up has a fantastic sound and a nice blend of electronic and rock there. Unfortunently, they have also not come up with a followup album, although it seems that one has been in the works for a little while now, with most, if not all of the original members coming back for the album. This'll be a good one to wait for.
Natural Anthem - The Postal Service
A Girl Called Eddy - A Girl Called Eddy

I came across A Girl Called Eddy through Amazon.com when they had a list of free MP3 songs - I downloaded and fell completely in love with Under The Warm Sun, Golden and The Long Goodbye, and went out to get more of her music. She's got a great voice and sound, smokey with some really good guitarwork. Her debut, self titled album followed her first EP, Tears All Over Town. Unfortunently, that seems to be it for now - her webpage has vanished, in place of a myspace account, and while I think that I've read that she's coming up with a followup, I haven't seen or heard anything recently. I hope that she'll be recording again, because her music is fantastic.
The Long Goodbye - A Girl Called Eddy
Bands Gone the Way of the Dinosaur
Buring in the Sun - Blue Merle

Bittersweet Memory - Blue Merle
New and Upcoming Bands
Good and Reckless and True - The Alternate Routes

I found these guys this summer, and they're a pretty new band, out of Connecticut. I've seen them twice, and they've really good a good sound, a solid rock album, with a good amount of media exposure thus far. Their live shows were a lot of fun to watch, and their first album, Good and Reckless and True was a really good one to listen to. I talked with one of the band members, and he said that after their current tour, they'll be back in the studio.
Ordinary - The Alternate Routes
One Cell in the Sea - A Fine Frenzy

One Cell in the Sea is the first album by A Fine Frenzy, which was released earlier this summer. This is a fantastic first effort from a very promising musician. This has a number of fantastic songs on it, and because it's a first album that's recently been released, I'm confident that we'll see her soon again.
Rangers - A Fine Frenzy
Say No To Being Cool Say Yes To Being Happy - The Softlightes

Heart Made of Sound - Softlightes
Time Without Consequence - Alexi Murdoch
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Blue Mind - Alexi Murdoch
New Grace Potter Video - Ain't No Time!
October 24, 2007
New Video for Sara Bareilles: Love Song
Take a look at it here. (Sorry, they disabled embedding)
October 23, 2007
I'm Not There
What also looks to be really cool is the soundtrack, which will have two discs, and will be all Dylan covers.
Here's the list, courtesy of I am Fuel, You Are Friends:

I'M NOT THERE (FULL SOUNDTRACK LISTING)
Disc 1
1. Eddie Vedder & the Million Dollar Bashers: "All Along the Watchtower"
2. Sonic Youth: "I'm Not There"
3. Jim James and Calexico: "Goin' to Acapulco"
4. Richie Havens: "Tombstone Blues"
5. Stephen Malkmus & the Million Dollar Bashers: "Ballad of a Thin Man"
6. Cat Power: "Stuck Inside of Mobile With the Memphis Blues Again"
7. John Doe: "Pressing On"
8. Yo La Tengo: "Fourth Time Around"
9. Iron and Wine and Calexico: "Dark Eyes"
10. Karen O and the Million Dollar Bashers: "Highway 61 Revisited"
11. Roger McGuinn and Calexico: "One More Cup of Coffee"
12. Mason Jennings: "The Lonesome Death of Hattie Carroll"
13. Los Lobos: "Billy"
14. Jeff Tweedy: "Simple Twist of Fate"
15. Mark Lanegan: "The Man in the Long Black Coat"
16. Willie Nelson and Calexico: "Señor (Tales of Yankee Power)"
Disc 2
1. Mira Billotte: "As I Went Out One Morning"
2. Stephen Malkmus and Lee Ranaldo: "Can't Leave Her Behind"
3. Sufjan Stevens: "Ring Them Bells"
4. Charlotte Gainsbourg and Calexico: "Just Like a Woman"
5. Jack Johnson: "Mama You've Been on My Mind"
6. Yo La Tengo: "I Wanna Be Your Lover"
7. Glen Hansard and Marketa Irglova: "You Ain't Goin' Nowhere"
8. The Hold Steady: "Can You Please Crawl Out Your Window"
9. Ramblin' Jack Elliott: "Just Like Tom Thumb's Blues"
10. The Black Keys: "Wicked Messenger"
11. Tom Verlaine and the Million Dollar Bashers: "Cold Irons Bound"
12. Mason Jennings: "The Times They Are a-Changin'"
13. Stephen Malkmus and the Million Dollar Bashers: "Maggie's Farm"
14. Marcus Carl Franklin: "When the Ship Comes In"
15. Bob Forrest: "Moonshiner"
16. John Doe: "I Dreamed I Saw St. Augustine"
17. Antony and the Johnsons: "Knockin' on Heaven's Door"
18. Bob Dylan: "I'm Not There"
This looks like it's going to be something not to miss.
Simple Twist of Fate - Jeff Tweedy
(The Watchtower cover is below.)
Cover & Original - Soundtrack Edition

Happy Birthday, Weird Al!

Bob - Weird Al
iTunes Free Music of the Week

October 22, 2007
Listen to 4th and Wall

To Die In LA - West Indian Girl
Review: Battlestar Galactica: Season 3 Official Soundtrack

When the show's creators went forwards with this, they changed a lot of the conventional aspects of sci-fi TV - They rooted it in more realism, from set design, uniforms, situations and dialog, making it a very accurate show, at least militarily. One of the big things that was also a big change was the music.
A number of science fiction television shows and films have a very bombastic type of score - lots of brass, loud, dramatic and exciting. Just listen to the opening credits of Star Wars or the original Battlestar theme (which they actually brought back in Season 2 for one episode).
These soundtracks, like the rest of the show, is a bit of a reinvention. Like the show, the score here is darker and moodier. Furthermore, they branch out with their sound, utilizing a number of world influences from India to Ireland, giving this show a very unique sound.
The third season soundtrack is possibly the best of the three soundtracks. It compounds on a number of themes that have been introduced already in the series, and adds in some new ones. The album opens with a bang, with the first couple of songs. The music here is more dramatic, darker and richer in sound. The opening song, A Distant Sadness opens the season up with some wonderful vocals, and moves on to several other songs that are filled with an incredible energy that works perfectly with the opening of the season. Like the season, the best stuff was in the beginning, but there are some other fantastic cuts here along the way, such as The Dance, Under The Wing, Temple of Five and Heading the Call. The album ends with the fantastic cover of Bob Dylan's song, All Along the Watchtower, vocals by the band BT4. It's a fantastic blend of the soundtrack's usual sound and rock and is a purely Battlestar Galactica feeling song.
A Distant Sadness (From 'Occupation') - Bear McCreary
Storming New Caprica (From 'Exodus, Part 2') - Bear McCreary
The Dance (From 'Unfinished Business') - Bear McCreary
October 19, 2007
Battlestar Galactica - All Along The Watchtower

My all time favorite science fiction TV show is probably Battlestar Galactica (along with Firefly). I'm currently, along with numerous other fans, awaiting for the 4th, and last season that's due to come next spring, and for the upcoming special, Razor, which will be released in November on the SciFi channel.
One of the cooler moments last spring during the finale was the use of a cover of Bob Dylan's All Along the Watchtower, used in the last couple of minutes of the finale. Lyrics were also used as dialog, which was really cool. The soundtrack is being released next week, on the 23rd. I can't wait to listen to the entire thing.
All Along the Watchtower (With Dialog) - BT4 & Cast Members
Weekend Mix
I didn't have anything planned to throw up here today, so here's a random smattering of songs that I really enjoy. So, some good stuff for listening this weekend:
Apologies - Grace Potter & The Nocturnals
Fa Fa - Guster
Fall Apart Again - Brandi Carlile
Freedom - Sara Wheeler
Lovesong of the Buzzard - Iron & Wine
On The Radio - Regina Spektor
Sister Jack - Spoon
Small Planet - Ferraby Lionheart
Torn To Tattered - Carbon Leaf
Who You Are - Cary Brothers
October 18, 2007
Duet - Michael Stipe & Coldplay

This is one of the better duets that I've come across recently, with both Coldplay and Michael Stipe (the lead singer of REM). Stipe has released an EP with a number of collaborations with the song, with Chris Martin, Joseph Arthur (who originally sang the song), and Justin Timberlake.The EP was for the Hurricane Katrina disaster relief fund, and features 6 versions of the song.

I think this is the best version of the song on the EP, which was recorded live at the Austin City festival. Stipe's voice is strong, and Chris Martin is an excellent suppliment to it when he comes in at various points. I do find it funny that Martin declared the song the best ever written (something that he also did with the Verve's Bittersweet Symphony with Richard Ascroft) This version of the song reached number 1 on the Canadian charts.
Plus, I connected to this song on one level, a lot of the lyrics really struck me as relevant (not so much the religous ones...)
In the Sun - Michael Stipe & Coldplay
October 17, 2007
C&O
![[cds.jpg]](http://bp1.blogger.com/_JliIYuptDw8/RxZjZopfiKI/AAAAAAAAAGo/-VsXYPexCO4/s1600/cds.jpg)
This week's cover and original is a familiar pairing - José González and an electronica type band, this time, Massive Attack, and their song, Teardrop. This song entered into my consiousness via the show House MD, where it's used as the theme song. A year ago, before In Our Nature was even announced, González had been touring with the song, and it was fantastic to see it end up on his record.
Teardrop is a fantastic song - it's got a great rhythm here, and González had really made the song Heartbeats by The Knife, his own, he really keeps with the same sound and feel of the original Teardrop here in this cover version.
Teardrop - José González
Teardrop - Massive Attack
Artist Comparison: Carbon Leaf and Josh Ritter
![[n70000497_30256019_2427.jpg]](http://bp1.blogger.com/_JliIYuptDw8/RvuwnYpfh6I/AAAAAAAAAEk/6j3vmL7tOAI/s1600/n70000497_30256019_2427.jpg)
Two artists that I'd like to compare today is Josh Ritter and Carbon Leaf. On the first listen, the two groups don't sound a whole lot like one another, but when looking a little deeper at the two, there's some bigger things that really makes them alike in some ways.
For a while, I've been thinking of ways to compare Carbon Leaf to another band. Carbon Leaf is one of my absolute favorite bands of all times, for a number of reasons - they have a diverse instrumentation, exceptionally strong strongwriting skills and a fantastic sound. Additionally, they have been shifting their sound over the past couple of albums that makes it difficult for them to really be comparible to other groups.
The War Was In Color - Carbon Leaf
The Temptation of Adam - Josh Ritter
I've been listening to Josh Ritter and his group ever since I saw them this summer with Grace Potter and the Nocturnals. I wasn't blown away with them from the get go, but over the past two months, I've gained a real appreciation for the group. Like Carbon Leaf, they have a fantastic sound and superior songwriting capabilities.

On the whole, the two groups both have a bit of a different sound. Josh Ritter goes more towards a bit of a country and folk, while Carbon Leaf tends to be more lyrical. Neither Josh Ritter nor Barry Privit sound much alike - Ritter's voice is more raw while Privit's is a little deeper, more refined.
Good Man - Josh Ritter
What About Everything? - Carbon Leaf
Where the voices don't quite meet, the instrumentation does - again, it doesn't sound like each other, but they both maintain a high level of skill, both have interesting drum, guitar and bass work that sounds just a little different than other groups out there.

Both are two slightly different, yet similar sounding bands. They've got the same feel, to me, with great lyrics and a fantastic sound. The core of both artists in their songwriting is a story. Generally in all cases, each song is generally directed with some focus, often with a very atypical or interesting one. And, both are real favorites of mine.
This Is My Song - Carbon Leaf
Right Moves - Josh Ritter
October 16, 2007
Through The Gate

So, I am now the proud owner of the entire series of Stargate SG-1. I've been a fan for years, but I've never gotten around to purchasing any of the seasons yet. A co-worker of mine sold me his for an extremely reasonable price as he's just bought the shiny new complete series boxed set that just came out.
I predict a marathon in the near future.
Stargate SG-1 Theme - TV Theme
iTunes Free Music of the Week

New Hype Machine!

The ever wonderful site, Hype Machine has undergone a change over the past couple of days, to a new version - check it out at hypem.com.
Maybe soon, they'll actually list this place...
New Band of Horses Video
October 15, 2007
This Day in History
On this day in history, Buddy Holly and Bob Montgomery opened for Elvis Presley in Lubbock, Texas in 1955. This was one of the highlights of Holly's very short career, and was one of the things that really started him off as a rock and roll frontman. While he had already been getting airtime on various radio stations, Elvis was a huge influence on the younger musician, and would propell him into fame as one of the greatest rock & roll singers of all time.
Crying, Waiting, Wishing - Buddy Holly
Concert - Cary Brothers, Kate Voegele and Matt Nathanson
This weekend at the Higher Ground, I was able to see Kate Voegele, Cary Brothers and Matt Nathanson in the Higher Ground Ballroom. It was an okay night - not the greatest
Kate Voegele Set
One Way or Another
Wish You Were
Hallelujah (Cover)
chicago
Only Fooling Myself

Cary Brothers Set
Ride
Jealousy
Who You Are
If You Were Here (Thompson Twins Cover)
Honestly
Wasted One
Glass Parade
Blue Eyes

Cary Brothers was the one that I set out to see last night, and I finally got a shirt from their merch booth (I tried to get one last time I saw him and failed, because they ran out.) His set was a significant improvement over Voegele's, although because he wasn't backed by a larger group this time around, I wasn't as thrilled with his set as I was the last time that he was in town. His set was also a bit shorter. They did take the smaller group (only Cary and two others) and ran with it - they had a couple of songs that sounded a little different, like Wasted One and Who You Are, but the sound was good and he was probably the best singer of the night.
Matt Nathanson Set
Car Crash
Wedding Dress
Lucky Boy
-> I Want You To Want Me (Cheap Trick Cover)
Angel
I Saw
Princess
-> Jessie's Girl (Rick Springfield Cover)
Come On, Get Higher
Pretty The World
Bent
To The Beat of Our Noisy Hearts
Falling Apart
Still
Suspended
Snakes? (Patty Smith Cover?)
Gone
Laid
Smalltown Girl (Journey Cover) With Cary Brothers and Kate Voegele
Comfort Me
-> Losing My Religion (REM Cover)
Answering Machine
Hungry Like the Wolf (Duran Duran Cover)
All We Are

Matt was clearly the show for the night, with everyone there to see him. He's certainly popular with the college group and demographics. His songwriting is also about average, and his live show can double as a comedy one, which is fine, as long as he plays music. On stage, they've got a good sound, very solid, very good beat.

Overall, the entire night was pretty good, low key. I chatted with a couple people, took pictures, and enjoyed myself. This was the last night of the tour for this group of singers, and they seemed to really have a fun time. Cary and Kate both jumped on stage for one of Matt's songs, and Matt jumped into one of Cary's songs, Blue Eyes. It looked like they were also enjoying themselves.
More pictures here.
October 12, 2007
Grace Potter Returns to Vermont!

I got an e-mail yesterday from the Higher Ground: As someone who's purchased a ticket to see Grace Potter in the past we're offering you the chance to purchase tickets for all three shows BEFORE the public onsale this Fri, Oct 12th at 11am
So, Grace Potter is coming back home for 3 nights this coming New Years eve, same as last year.
Concert Dates: Friday, December 29, Saturday, December 30, Monday, December 31
I tried to get tickets last year, but never got around to doing that. I'm telling you, if you're in Vermont during those dates, that's something that you'll want to go out to see.
Evolution of... Zero 7
Zero 7 has been a favorite of mine ever since I first discovered their work through a free download via Amazon.com with their song Destiny and later through the use of their song In the Waiting Line in the movie Garden State. Zero 7 is the name for two musicians, Henry Binns and Sam Hardaker, although they frequently collaborate with a number of other musicians for their work. Their first song was a remix of Radiohead's Climbing Up the Walls, which was a b-side for Karma Police. This led to several collaborations and soon, an EP called EP1, when they first used the name Zero 7, in 1999.
Two years later, the duo released their first album, Simple Things, a down-tempo album that would eventually become a gold record. On the album, they collaborated with Mozez, Sia Furler, and Sophie Barker. Simple Things brought the band out into the limelight, with a number of critical praises. The album is probably my favorite of the group, with it's low-key sound and number of outstanding songs.
2004 marked the band's second album, called When It Falls, where the duo collaborated once again with Mozez, Sia Furler, and Sophie Barker, with Tina Dico joining the ensamble. While the album retained a similar feel to Simple Things, I never got the same feel that I did with their first album.

The Garden, the band's third album, was released last year, with only Sia returning for the album, but with Swedish singer José González joining her for several songs. Henry Binns also contributed vocals to the album. This album was a little more upbeat than the prior two, with a slightly different sound and tone to the whole thing. It was also nominated for a Grammy Award in 2007.
Over the past couple of years, Zero 7 has had their music used in a number of television and movie projects, ranging from the Garden State soundtrack to CSI, Veronica Mars, House MD and a couple others. I'm hoping that we'll be seeing more from these guys within the next couple of years, because I can't get enough of their music. The band is currently working on a Ingrid Eto, an insturmental project.
Radiohead - In Rainbows

12 days ago, Radiohead shocked a lot of the music blogging community by putting up a short announcement on their website:
Hello everyone.
Well, the new album is finished, and it's coming out in 10 days;
We've called it In Rainbows.
Love from us all.
Jonny
The other shocking thing was the means in which they released it - online, ahead of the physical album (which isn't so much of a shock), but fans could choose whatever price they wanted for the downloads. You could pay nothing, if you wanted, or you could pay whatever amount you felt was proper. Apparently, there's a lot of talk about how this is going to revolutionize the music industry. I don't think that will really have any huge changes in the way that music is distributed, because this seems to be to be a bit of a publicity stunt on the part of the band, and one that's certainly gotten them a lot of attention. To start, Radiohead is one of those artists that has a lot of fans out there already. This is something that can probably work with a group that's already hugely established and with a good fan following.
The other thing is that this isn't something that's commercially viable. There's no set amount, and therefore potentially a disaster. While loyal fans would contribute money towards this album, how about the demographic of people who are somewhat indifferent or haven't really listened to Radiohead? I know I didn't kick in any money - This is the first Radiohead album that I've listened to beginning to end, and while it's not bad, it's not mindblowing. I would feel compelled to kick in money if this was something from one of my favorite bands. In any event, I'm sure that we'll probably see a couple of copies of this sort of thing, a flexible distribution, but I can't see it happening on a huge scale, not when the RIAA sues people left and right over illegal downloads and when corperations need to make money.
The album isn't bad. I can't say that it's going to make me a huge fan of the band, but it's listenable, and a somewhat solid album. However, there really aren't any songs that really stick out for me, they all sort of blend in together in a nice mix.
In Rainbows - Radiohead
Hype - Download/Buy - Look
October 11, 2007
Norah Jones With....

Virginia Moon - Foo Fighters
One of the lighter tracks from the Foo Fighters album In Your Honor, Norah Jones is featured prominantly with lead singer David Gohl in the track Virginia Moon, which plays well with Jone's songs, with a slight Jazz feel. It's an interesting duet that plays to both singer's strengths.
Tenessee Stud - The Little Willies (iTunes Link)
Before Norah Jones released her first album, Come Away With Me, she was part of another band, one that grew out of mutual interests from the other members of the band, the Little Willies. Based out of New York City, they emulated some of the country greats, such as Hank Williams and Johnny Cash. Jones strays from a Jazz/Blues track to a more bluegrass and country one, which is an interesting mix.
Colors - Amos Lee
One of the best songs off of Amos Lee's self-titled debut album, Colors is one of two songs that features Norah Jones, the other being Keep It Loose, Keep It Tight, playing Piano for both songs. Amos Lee actually owes his success to Jones, who had heard his EP and promptly asked him to join her on tour. It's not terribly surprising, as their music sounds very similar, with the same bluesy and Jazz feel.
New Music This Week
October 10, 2007
Duet - Coldplay & Richard Ashcroft
Bittersweet Symphony has long been a favorite song of mine, a very cool song indeed, even if they did rip off some parts of it from the Rolling Stones. A couple of years ago for Live8, Coldplay covered the song with Richard Ashcroft singing along with them. Here's the result.C&O

Recent Concerts - Live in Washington DC

In recent weeks, NPR has put up a couple of really good concerts online:
Josh Ritter - Listen
José González - Listen
Iron & Wine - Listen
Rilo Kiley - Listen
Autumn in Vermont

It's fall in Vermont now, and that means a couple of things. 1 - it gets chillier, 2 - The leaves turn nice colors. 3 - Leaves draw tourists by the droves to come up and gawk, which is never a fun thing because they drive really slowly on the back roads - always frustrating when you're in a hurry somewhere. Still, it's a pleasant change from everything in Vermont, and one of the nicest times of the year. It typically means lots of yard work, and some time in the woods, which is always a nice thing. My family makes apple cider (we've already made 19 gallons of it, and we have about that much in apples left) from the trees that we have in our fields.
Two songs for the season:
Is This The Fall? - Carbon Leaf
Autumn - Paolo Nutini
October 9, 2007
This week's free swag from iTunes. It's an okay week, nothing terribly great here. How Lucky We Are is probably the best of the lot. October 8, 2007
More Images

Concert 3 - A Fine Frenzy and Brandi Carlile
1 - Come On, Come Out
2 - You Picked Me
3 - Last of Days
4 - Minnow and the Trout
5 - Ashes & Wine
6 - Borrowed Time
7 - Almost Lover
8 - Rangers

A Fine Frenzy started off the evening at the Higher Ground to a sold out venue with people asking for extra tickets on the way in. I'd been looking forwards to this show, because I really like AFF's music. A lot of her songs have really been relatable for me, especially Ashes & Wine. Combined with her musical talents, I've really liked her.
Right off the bat, I knew that this was going to be a fantastic concert. From the first song, she started off strong, with a fantastic sound and voice. With only a couple pianos and drum set, they set up a fantastic beat that really worked without the guitar and bass parts that most bands typically have.
The set that she played was a little short, but still with all of the songs that I really liked. What was also nice was that it wasn't a complete copy of her album, as she varied a little with her sound.
I was also impressed with Alison Sudol's stage presence. She seemed genuinely nice and appreciative of the audience before her, and really seemed to have a good time on stage, and was the perfect setup for Brandi Carlile.
1 - My Song
2 - Wasted
3 - Late Morning Lullaby
4 - Fall Apart Again
5 - Follow
6 - Until I Die
7 - Have You Ever
8 - Happy
9 - Cannonball
10 - Again Today
11 - What Can I Say?
12 - Turpentine
13 - Madman Across the Water (Elton John Cover)
14 - Bohemian Rhapsody (First Half)
15 - Lovesong (New Song)
16 - The Story
Encore
17 - Goodbye Yellow Brick Road (With A Fine Frenzy)
18 - Folsom Prison Blues
19 - Pride & Joy
20 - Calling All Angels (With Sister Tiffany)
21 - That Year (New Song)
22 - Hallelujah

Brandi Carlile is one of those artists that has taken me a little while to really enjoy. Her performance last night pushed me over the edge to complete fandom for her music, and I'm eagerly awaiting her return to Vermont. Like A Fine Frenzy, they launched right into their set with a fast guitar riff before getting into their music.
I was really impressed with her music - she sounded amazing on stage, comparible to the Grace Potter concert that I saw earlier this year, as far as presentation went, and I think that the two of them together would be a fanastic lineup. Brandi's voice is unique and just amazing to listen to recorded, but it's something else when it comes to the stage. Like A Fine Frenzy, she seemed genuinely pleased with the crowd (who absolutely loved her) and she looked like she was having a lot of fun (she actually cracked up at the end of one song when she realised that the rest of her band members had grown out moustaches). She also interacted with the crowd quite a bit.

Her set of music just rocked, with a nice blend of new and old music, fast and slow and even threw in a couple of covers of Elton John and Johnny Cash (Which I really want to get my hands on.) Carlile has a fanastic voice for her music, with a nice blend of rock and country influences in her music. To top of the night, she and A Fine Frenzy shared a duet, which was just incredible to watch (something else I want to get my hands on.)She also got her sister up on stage for a duet as well.
All in all, the best concert of the weekend.

Hype - Buy
Concert 2 - Brett Dennen & Guster
2 - The One Who Loves You The Most
- Girls Just Wanna Have Fun
3 - Desert Sunrise
4 - Ain't No Reason
5 - When I Go
6 - She's Mine
7 - Blessed?

Brett Dennen opened for Guster on Saturday night at the UVM Patrick Gymnasium, to a fairly large group of students and Burlington residents. He played a fairly short set of his songs to a fairly good response. I found him to be a little bit of a letdown from my expectations. While he wasn't bad, he wasn't that great in person. I found Dennen to be pretty relaxed on stage, almost a little wooden. His presence on stage was a little stiff, and his fellow band members hardly moved from their original pose.
However, Brett Dennen's music was good. While I've always thought of his music as a sort of pop-folk, his live show seemed to have more of a reggeae influence than I had picked up on earlier while listening through his songs. His set was solid - there were most of his recognizable songs there. His sound carried over pretty well from his albums, and there wasn't much in the way of surprises there. Overall, it was a decent show, but not terribly memorable.
Guster Set
1 - Unknown (Careful?)
2 - Happier
3 - Backyard
4 - Satellite
5 - Beginning of the End
6 - I Spy
7 - Manifest Destiny
8 - Homecoming King
9 - Airport Song
10 - Ramona
11 - Hang On
12 - Amsterdam
13 - Improved Vermont Song
14 - Barrel of a Gun
15 - Come Down Stairs and Say Hello
16 - G Major
18 - Fa Fa
19 - Two Points for Honesty
20 - I Hope Tomorrow is Like Today
21 - Unknown
22 - Demons
23 - Where Everbody Knows Your Name (Countdown Cover)

Guster, on the other hand, really made the night. Taking off shortly after Brett Dennen, they opened up with a fantastic set of music that really got the crowd going. They had one of the longer sets of music that I've ever watched, and it was certainly a fun one. I came to this concert a little aprehensively. Brett Dennen, I sort of knew and listened to a bit, but Guster has been a relatively unknown band to me. I've listened to just a couple of their songs, and had heard some rather negative things about them from some crew people that I've worked with.
Guster wasn't bad on stage. While they're not automatically a favorite of mine, I definently got into their music and had a good time. They got into a good sound (and really energetic) and started off right away, and didn't really talk a whole lot, which is always good (I'd rather listen to a musician sing than talk).

I was really impressed with the amount of interchangibility that these guys had with their insturments. It seemed like each one could play at least one or two others, and they brought in some cool things, like a trumpet, which you don't see often. On stage, they really brought the audience a good sound, something that I think is best described as College-Pop or alternative. It seemed like a very appropriate type of music for a college campus. They weren't without faults here and there. Overall, I thought that their lead singer shouldn't necessarily be the lead singer - Adam Gardner, the second lead singer, seemed to me to have a better voice.
Overall, it was a fun show. Guster was certainly much better than Brett Dennen, but it was a good pairing.
Next up, A Fine Frenzy and Brandi Carlile.
Columbus Day

Yet another national holiday that I don't get off from work. Oh well. Today commemorates the discovery of America, which was first celebrated in 1792 on the 300th anniversary of Columbus's discovery of the Americas.
One of my favorite quotes for the holiday: "A holiday for Columbus? The man takes a wrong turn and whipped out half an indigenous race."
To commemorate:
Mr. Columbus - Grace Potter & The Nocturnals
Cortez The Killer - Neil Young
New Headphones

Completely random note - I now have new headphones. After a couple years with the cheaper behind-the-head wraparounds and iPod headphones, I finally decided that I had enough of the crackling at high volumes and discomfort and get something a little better. Not top of the line by any means, but my god, I can actually hear the music and various parts, like the bass, guitar and drums in so much better quality than before. And man, it sounds amazing.
Heart Made of Sound - The SoftLightes
Concert 1 - Avi & Celia

Set List:
Ripton Gulch
Bud 'n Mary
Before The Fall
Night King
Their Faces
Bag of Sin
Blues Run the Aged
Cold Cold
Trains
I hadn't heard of Avi & Celia prior to this week - a friend of mine mentioned that they were coming in, and it was a good oppertunity to get together, so I got a chance to see them live, and to check out the Langdon Street Cafe, as far as music goes. Avi & Celia got together while studying at the University of Vermont, and they've been writing music and playing together for a couple of years now. Drawing numerous influences from blues, bluegrass, folk and soul, they have a sound that's reminicent of Grace Potter & the Nocturnals and Jesse & Joy. While they have the general sound, they've got a little ways to go before they reach that level, but they're off to a good start. I was able to speak with Celia, who was extremely pleasant and appreciative of the audience, while small, seemed to come out just for them - the crowd thinned quickly after they left the stage. The first thing that struck me was Celia's voice - very strong and with a good vocal range. They've got a good amount of energy behind their music as well. Celia's the stronger of the two vocally, while Avi seemed to know his way around the guitar a little better. While he sounds better on their album, in concert he stuck out a little more, sounding a little out of tune at times. Other times they really click, such as with Night King, Their Faces and Trains. These guys have a good sound, and they're a group to keep an eye on - They just toured with the Wailin' Jennys, and I suspect that they'll get together with a couple of other bands as time goes on. One thing that I did note is that they can hold up spectacularly well without an accompanying bass and drum set. Their guitar and vocal work alone holds together really well, and according to my friends, they've gotten better over time. It would be really interesting to see the pair with the backups, and I think that it would help support a couple of their songs. In any case, I'll keep an eye on them for when they come back up here. Finally, they certainly have some good stage chrisma - with a fantastic and very literal exit off the stage mid-song, and with a good amount of audience interaction during and after the performance.
Next Up - Guster & Brett Denne and A Fine Frenzy & Brandi Carlile
October 5, 2007
New West Indian Girl - To Die In LA

WIG draws a bit of it's sound from the west coast, where they're from (LA), some of the psychedelic and pop sounds out there to make a nice fusion of alternative/electronic rock.
Now, West Indian Girl is releasing a new album, called 4th and Wall, on October 23rd via Milan Records. Here's the track listing:

Blue Wave is the first single, and is already out on iTunes. Meanwhile, I have the album's opening track for you.
To Die In LA - West Indian Girl
October 4, 2007
Pushing Daisies, or, the Best Show of the Year
Go. Watch. This. Show.
Asside from being utterly brilliant, the show is extremely well acted, highly, highly, highly original and quirky and is probably one of the coolest things to hit TV since ... I don't know when. Reminded me a lot of the film Big Fish.
The plot of the show is this: A boy, Ned, finds that he has the ability to bring people back to life, with just one touch.

He's in the business with a private investigator (who's the same guy who played Vogler in House), and they've been making a living bringing people back to life, asking them who killed them, and collecting the reward.
Just simplely an amazing show. The guy who created it also did Wonderfalls, Dead Like Me, Heroes and Star Trek Voyager, as a producer and writer for both shows, so he knows the business.
Now, the real question is, can this show hold an audience? I really hope so, because this one is just too good to die. However, it's a bit out there, and very, very different, so it might have a hard time holding onto an audience. I guess we'll see.
Ferraby Lionheart's coming with this, because his sound fits with the show perfectly. And of course, the title of the song...
Before We're Dead - Ferraby Lionheart
New Cary Brothers Video - Honestly
Looks pretty good - Brothers is certainly good at getting his music into films. I'll be seeing him next week when he comes to South Burlington with Matt Nathanson.
Honestly - Cary Brothers
Three Days, Three Concerts
Friday -
Avi & Celia are out of Vermont, having formed a couple years ago at the University of Vermont (where other notable acts such as Phish formed), and have recently been named the best act of the month by Higher Ground, the best music place in Vermont. They're doing a show at the Langdon Street Cafe, a small music venue in Montpelier.

Saturday -
Up at the University of Vermont, two bands are playing for the school, Guster with Brett Dennen opening for them. I've only listened to a limited number of these guys songs, but I've enjoyed them. Guster recently released their latest album, Ganging Up on the Sun, which has some good songs on it. Brett Dennen's got a folk-ish sound that's quite good. I'm looking forwards to this show, even though I just found out about it about a week ago.

She's Mine - Brett Dennen
Satellite - Guster
Sunday -
This is a show that I've really been looking forwards to for the past month or so, Brandi Carlile with A Fine Frenzy opening. Both women are fantastic singers, each with a fantastic sound. They're playing up at the Higher Ground Music Hall in South Burlington, and this should be a good one.

Rangers - A Fine Frenzy
The Story - Brandi Carlile
I'll most likely be posting up reviews of each of these concerts on Monday, when I get back to my computer, so stay tuned.
Duet - U2 and Greenday

October 3, 2007
C&O - Heartbeats

October 2, 2007
Echoes, Silence, Patience and Grace

The album opens up with the fantastic The Pretender, which reminds me a lot of the fanstastic Best Of You. Both songs have an incredible amount of energy between the two of them. Fast, heavy guitarwork and loud lyrics. This is one area where the Fighters excel atl. They also do a good job with ramping up the energy, such as in what happens with Let It Die, where it starts off slowly, with some soft guitar licks, while building over the length of the song. Erase/Replace is fast and blunt, and easily one of the weaker songs of the album. The rest of the album settles into two catagories, fast with a decent beat and slower, more thoughtful. Long Road to Ruin, Cheer Up Boys, Summer's End, and But, Honestly all fit into the first catagory, and blend together nicely. Come Alive, Ballad of the Beaconsfield Miners, Statues and Home all fit into the second and likewise work well together.
This is one of the weaknesses of the album - there's really nothing, except for The Predender, Let It Die and Home that really stand out here, even among their other albums. Even back to The Colour and the Shape, there's a predictible sound that holds the Foo Fighters back a bit.
This isn't to say that this album is horrible and should be set on fire and returned to the store - quite the opposite, these guys aren't Nickelback. The album is very listenable and fairly enjoyable. It's a very good thing that I really enjoyed In Your Honor, because there's not a whole lot of differences between the two. Which isn't a bad thing, because sometimes it's nice to listen to something like that. The formula that they've come up with is variable, and it's a good sound for them - it works. I'd recommend this album, but it's not mindblowing. But comfortable.
Let It Die - Foo Fighters
Home - Foo Fighters
iTunes Free Music of the Week

No Hay Espacio - Black Guayaba
Love Is a Drug - Jypsi
No Such Thing As Vampires - Moonlight - Television pilot.
October 1, 2007
New Radiohead

Jonny
Evolution of ... The Dave Matthew's Band

The group's first album, Remember Two Things, was released in 1993, an indie release that attracted a lot of attention, leading to the 1994 release of Under the Table and Dreaming, which featured a number of hits, eventually going four times platnium. Under the Table and Dreaming featured a number of DMB favorites, characterized by it's quick guitar and drum work, tight vocals and saxaphone.
What Would You Say? - Dave Matthew's Band
Under the Table and Dreaming was followed in 1996 by Crash, which spawned several more hits for the band. It continued with a similar sound to UTTAD, although with several slower songs to go along with it.
Too Much - Dave Matthew's Band
After Crash, the band released two live albums, Live at Red Rocks and Live at Luther College, before returning to the studio to record Before These Crowded Streets. This album was more experimental than the prior two albums. Rapunzel utilizes some interesting rhythems, while Don't Drink the Water, Last Stop and Halloween are some of the darker songs that the band has released, tonewise and themewise.

The Last Stop - Dave Matthew's Band
The band's 2001's release, Everyday was also a departure from their normal sound. Already with a huge fanbase, there was a huge anticipation for their next album. However, tensions in the studio forced the band to scrap their work and start anew, creating an album in just a couple of weeks. This marked the first time that Dave Matthews used an electric guitar, and while the album was a commercial success, it was viewed as too mainstream and pop-like by numerous fans, as well as some of the band members.
Fool to Think - Dave Matthew's Band
Everyday was followed up by the remains of the scrapped album, known as the Lillywhite Sessions, dusted off and now called Busted Stuff. The album went back a bit to the band's typical style, with it's distinctive guitar and drumwork and lyrics. The album's speed is a bit slower, but musically, it was much stronger than Everyday. Dave Matthews would also collaborate with Carlos Santana in 2002
Bartender - Dave Matthew's Band
2004 for Dave Matthews brought Some Devil, a fantastic solo album that brought in a number of well known artists, such as Trey Anastasio and Tim Reynolds. The album is brilliant musically and lyrically, and some of it's song have been used by the band as a whole.
Save Me - Dave Matthews
2005's Stand Up is the band's latest album, and once again represents a jump in style, this time utilizing a sound closer to Before These Crowded Streets, as well as R&B, a little country and seems more whimsical to me. In addition, it's far more laid back than most of their music, but seems to be the most advanced and rich of all their albums.

Stand Up (For It) - Dave Matthew's Band
In 2006, DMB released their greatest hits album, something that they were a bit reluctant to do, pulling a list of their better known hits and a list of fan-picked live favorites. In 2007, Dave Matthews released the odd Eh Hee, as well as Live at Radio City, a live album with longtime collaborator Tim Reynolds. As of now, the band is currently writing for their next album, which should be released in the next year or so. I'm excited for it, and from some of their latest concert releases, they've got a bunch of newer songs that sound really cool.
The band is a huge staple in the music industry, with a huge track collection and from all reports that I've heard, have an amazing live experience. (Hopefully I'll get out to see them in the near future.) All in all, DMB will probably be looked back on as a band that was just as important as the Rolling Stones or Chicago as far as influence goes (although not music style) in the music industry. Hopefully, they'll be around for years to come.
The Best of September
This has been a really good month for music, with a ton of albums being released and with some good stuff floating around out there. Here's the best of what I found this month -
You Can't Always Get What You Want - Band from TV
State of Massachusetts - Dropkick Murphys


